Legendary composer/director John Carpenter has returned with his first non-soundtrack music since 2016âs Lost Themes II. Collaborating again with son Cody Carpenter and godson Daniel Davies, his bandmates and co-composers for the David Gordon Green-directed Halloween films, Carpenter is sharing the propulsive new single âSkeletonâ and its B-side, the haunting âUnclean Spirit.â
The sessions for these songs saw the trio shifting their focus from scoring for the screen and engaging a totally different creative muscle. Instead of being guided by what was happening in the world of Halloween, they were free to work toward other ends.
âIt was refreshing to be able to write music that didnât have to fit to any sort of locked image,â John said. âWe also had a specific focus and direction we wanted to follow when working on Halloween, both in terms of mindset and instruments, and being able to return to working without that narrow focus was refreshing. Although working on Halloween didnât specifically influence any of these new compositions, there is always a honing of craft that must take place when working on a film like Halloween, and our improved skills definitely helped us in writing these songs.â
Working together to score a major Hollywood production only deepened the collaborative chemistry between the three composers. That comfort level paid dividends, as the songs developed largely in the room where they were recorded.
âLike the majority of the songs that we write, both âSkeletonâ and âUnclean Spiritâ mainly started with an improvised riff, which was then expanded and built upon to create the full song,â John explained. âLike the previous Lost Themes album, we each handled duties of writing and recording, with all three of us contributing ideas and parts.â
âSkeletonâ and âUnclean Spiritâ are the first taste of a batch of new music that will eventually yield a Lost Themes III, and with the composers hard at work on the music for Blumhouseâs Halloween Kills and Halloween Ends, there is plenty more music to come. Even for the famously prolific John Carpenter, this might be the most fertile creative period of his life.







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